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Modes of Design
The works in this exhibition are arranged into eight modes — each a different relationship between material, gesture and intent.
Abstract
Painting and works on canvas that refuse representation in favour of pure material, gesture and field.
View works →Figurative
Drawings and paintings that return, again and again, to the architecture of the human body.
View works →Minimalism
Works built from the smallest possible vocabulary — a line, a mark, a single resolved decision.
View works →Sculpture
Three-dimensional works in plaster, stone, bronze and clay, occupying space rather than picturing it.
View works →Photography
Photographs that treat light as their primary subject and architecture as their willing collaborator.
View works →Digital
Digital and generative compositions, released in small editions and printed with archival care.
View works →Mixed Media
Assemblages of found and worked material — iron, silk, thread, paper — held together by attention.
View works →Ceramics
Vessels and ceramic objects that sit between the functional and the contemplative.
View works →Calligraphy
The disciplined art of beautiful writing — ink, breath and gesture held in perfect tension on the page.
View works →Drawings
Works on paper that privilege line, mark and the directness of the hand above all else.
View works →Horology
Timepieces and instruments that turn the measurement of duration into mechanical poetry.
View works →Codices
Hand-bound books and manuscripts in which image, text and material form a single contemplative object.
View works →Wallpaper
Large-scale printed and painted surfaces made to transform the room rather than merely decorate it.
View works →Paintings
Works in oil, pigment and mixed media that explore surface, colour, light and the long patience of the hand.
View works →Porcelain
Fine porcelain vessels and objects fired to translucency, precision and quiet luminosity.
View works →